Art. Code. Math. (And mit-scheme) April 30, 2010
I was in rehearsal today, doodling away second oboe for Saint Saens’ Organ Symphony for the nth time, and it occurred to me: I’ve listened to and played this piece of music enough times to know the full overall flow as well as a good chunk of the orchestral parts, not just mine. So when the hymnal calls give way to the triumphant entrance of the organ in the last movement, or when the tempos start shifting, simultaneously speeding up and slowing down, at the end of the piece, it’s not surprising; it’s almost inevitable. Couldn’t have it any other way.